Kalaripayattu ::: A traditional Martial Art Form Of Kerala :::  
 
Kalaripayattu
 

          Kalarippayattu is a unique and magnificent art of physical culture and self-defense.There are two forms of Kalaripayattu, one Vatakkan (Northern) and another one Tekkan (Southern). In Vatakkan, three types . Arappakkai, Pillattaangi and Vatten tirippu were the most important and they had wide publicity. The Tekkan type was more important than Vadakkan. But the use of different kinds of weapons and the beauty of performance made the Vadakkan Kalari  famous.
         Kalaris were primarily of two types, the first being smaller known as ‘CheruKalari’ (cheru means small) or KuzhiKalari (kuzhi means the portions formed by caving in the earth) and the second one known as ‘AnkaKalari’ (Ankam means fight). It is called KuzhiKalari because the floor of the Kalari is built at a level lower than the surrounding land by removing soil to achieve the necessary depth. CheruKalari or KuzhiKalari was built for the purpose of impaling physical and weapon training. It was in this Kalari that systematic training in scientific exercises in Kalarippayattu was imparted. Remnants of such ancient ‘Kalaris’ are seen at some places in Kerala even now and the similarity in size and shape they bear to each other is ample proof for the existence of this type of Kalaris throughout the region from very ancient days.
         AnkaKalari’ was a Kalari constructed temporarily for the purpose of fighting duels to decide any quarrel between the local rulers or for a cause of revenge for some reason or other. This Kalari would be constructed in such a place as to enable all persons in the locality to arrive and witness the duel conveniently. ‘Ankathattu’ meaning a platform for fighting duels also used to be constructed for the purpose and it belonged to the same class as ‘AnkaKalari’. The platform would be constructed four to six feet above the ground level engaging famous carpenters for the work. Before the date fixed for the duel, the Ankakathattu would be handed over to the fighters after elaborate rituals.

 

Construction of  Kalari

 
         While constructing the traditional ‘KuzhiKalari’, the building has to be so constructed as to face the east. The entrance should be at the east side. The length should be east west. The Kalari floor is first prepared by digging the ground up to 4 ft. depth and removing the inside soil. Certain conventions have been observed from time immemorial while selecting the site for the construction of the Kalari. The most acceptable location for this purpose is the southwest portion of the land. The inside of the Kalari thus constructed will measure 42 ft. by length (east-west), 21 ft. by width (north-south). The floor of the Kalari should be leveled properly so that there will be no undulations or projections hampering the ease of movements while practicing.
 
Kalari Marma Chikitsa
 

        Another unique system of medicine, perhaps more effective than Ayurvedic, developed in connection with Kalaries in Kerala is known as Kalari Marma Chikitsa.
The knowledge attained by sages and yogis of ancient India about the 107 vital points led to the development of this distinctly different method of treatment. It is very effective for wounds, bruises and fractures.
They use a technique that is a combination of stimulation of nodal points by oil massage and the experts who specialize this massage therapy are in great demand.
There is nothing like Kalari therapy to make the body agile, supple and expressive. It will do a sea of good to dancers, performers, athletes, martial artists and anyone who likes to heighten the performance level of the body. Kalari therapists are excellent bonesetters too.
        Marma therapists can manipulate nodal points and correct any deformity in the body. A skillful practitioner can heal injuries, correct deformities and bring the body back to balance. Marma therapists can thus prevent deformities and disabilities.
Therapeutic maneuvers Marma therapists use, are so sophisticated that even at this modern age, there is no match for them. Marma therapy is excellent in healing every kind of body damages due to hits, blow, injury or shock caused by any kind of accident.
Although its origin and growth are shrouded in mystery, the ancient ballads and-foreign accounts have left detailed notes on its practices and the physical culture it promoted. As an institution, the Kalari has greatly influenced the cultural life of Kerala society. As given to the Kathakali artists, a special type of massage is given to the Kalari trainees. For this special kind of massage medicated oil is used. The Guru who employs his feet does this massage. While on the face and other parts, massaging is done only by the hands. This type of massaging is special to Kalaris and it enables the trainee to attain an ease of movement.

 
 

Kachakettal and Uzhichal

 
          The traditional dress used in Kalari is known as Kachha and its wearing method is Kachha Kettal. Even though Kachha means only dress, it has a special connotation. The Kachha is referred to in the Northern ballads as a long cloth with 64 Muzhams (one Muzham is equal to 16 inches.) The present day Kachha used in Kalari is of 5 to 6 feet length and one feet width. It is to be wrapped in a particular method that gives maximum tightness to the hip and support cover to the naval region. The belief that power is generated from the naval, is the basis of the art of Kachhakettal. The Kachha is also believed to be the protector of one's prana, the life force. All the heroes of the ballads who succumbed to fatal wounds, have lived till they instruct their fellowmen to untie their Kachha.
          It is a practice to apply gingely oil or medicated oil before Kalarippayatt. This renders coolness and flexibility to the body and invigorates the veins and muscles. Application of this oil reduces body temperature, while performing exercises.
 
         The students of Kalarippayatt have to undergo a course of Uzhichal or massage with special medicinal oil like Mukkootor Arakuzhambu. Usually an Uzhichal course lasts for 14 days. At the time of uzhichal, the student has to follow strict restrictions in his daily routines. He should not expose himself to the sun for a long time, should take only the prescribed food and drink and should follow strict celibacy. Some restrictions are to be followed for 14 days more after the uzhichal is over.The massage is done with hands for the young and with legs the for elders. This is technically called Kai Uzhichal and Chavitti Uzhichal respectively.Massage is considered to be one of the integral parts of Kalari training, which helps the body to attain a healthy constitution as well as flexibility, nimbleness and suppleness. Moreover, massage enables proper blood circulation and
removal of excess of fat. It helps in the easy maneuverability of the body for turning and twisting.
Kalari has also developed a traditional orthopedic system, which is widely popular all over the state, especially for the setting of displaced bones.
 

Training

 
         Kalarippayatt is designed in four successive stages of training Meyppayatt, Kolthari, Ankathari and  Verum Kaiprayogam. The Meippayatt is a series of body control exercises, systematically designed and practiced according to Vaytari or verbal instructions. After mastering Meippayatt, the student is initiated into the next stage of fighting with wooden weapons called Kolthari. Mastering Kolthari leads to the Ankathari or technique of fighting with metal weapons. Lastly the student will be imparted training in empty hand fighting techniques called verumkai prayogam. Selected, well-disciplined and dedicated students will be given training in Marma prayogam or attack on the vulnerable points of the body. In earlier periods, training was given in the use of many other weapons like axe,  spear, and Ponti. Archery was also included in the scheme of training. All exercises in Kalari are performed in strict accordance with Vaytari or systematically developed verbal instruction given by the Guru. The Vaytari is designed specially to give strength, flexibility, endurance, reflex, nimbleness and precision. The Kalarippayatt course extended throughout the year. Now a days, short term and imparted.
 
Vativu, Chatavu and Adavu
 
        In Kalarippayattu, different poses or vativus are designed and developed to get concentration for perfect power and force in carrying out a particular action or for being in readiness for action. There are eight such vativus namely. Each Vativu has its own style, power combination, usefulness and effectiveness.
        Apart from these Vativus, there are basic foot positions and movements, which are technically called Chuvatus. These are designed to give more power, precision and concentration to the action against the opponent. In Chuvatu, the attention is centered on the role of the feet. There are five such basic Chuvatus . These Vativus and Chuvatus are scientifically combined to form what is called Atavus.
 
Meyppayatt
 
         Meippayatt is the body control exercise designed in a special sequence. It gives perfect control and flexibility to the body and is a combination of vativu and Chuvatu with body movements, holds, kicks, jumps and cuts. There is a traditional saying that a Kalari master is one, who has converted his body into an eye.
         Before training in Meippayatt, students are taught various leg exercises. The basic leg exercises are Nerkal, Veetukal, Konkal, Thirichukal, Iruthikkal and Pakarchakkal. The Nerkal is lifting the leg straight in the air till the knee touches the chest. This process with right foot is called Valatukal and with left, Etatukal - right up forward kick and left up forward kick. The Veetukal is the application of leg in the high swinging arc or circling kick. The Konkal is kick high to right or left ankles. In Iruthikkal or kick and sit, one will lift his leg like the Nerkal and bring back that leg and sit on the ground. The Pakarchakkal is a combination of Nerkal on either side in continuation. At first, the leg is pushed up in the air and without placing it on the ground the body will be turned into the opposite direction while the leg will be swinging in the air.
         Some basic differences can be noticed in style, movements and even in the application of Meippayatt in different areas of Kerala. There are different styles like - Vattakkan, Madhya Kerala and Tekkan; (Northern, Central Kerala and Southern). The regional differences in styles, might be due to the innovative differences of regional masters of ancient days. Such regional variations gave rise to differences in vaythari. The dialectical variations of language and character of each region also contribute to this change of vaythari.
 
Kettukari
 

        After achieving perfect body control through Meippayatt, the Kalari student will be initiated into the training of Koltari or fight with wooden weapons. There are three types of wooden weapons used in the present day Kalaries - Kettukari, Muchhan and Otta.
The Kettukari is a long rod made of solid cane with either the height of the practitioner from foot to the eyebrow or 12 span in length. In Koltari ankam, though there are 18 graded sequences or stages, at present only 7 or 8 of them are retained and practiced in the Kalaries.

 
        This fight with a twelve-spanner rod, combines blows, blocks and locks allied with jumps and, leaps for attack and defense.The Koltari practice is considered as a preparatory stage for the use of spear, sword and other deadly weapons. Most of the attacks with Panteeran combines attack on head, temple, ribs, knee and groin. These attacks and its warding off are done according to the accompaniment of Vaytari. Regular and systematic practices installs natural reflexes in the body, which wards off any attack on any part of the body. There are also special techniques of twisting and circling the staff called Vativeesal. Several folk tales elaborate the perfection of this technique. In the more advanced stages of Kettukari, there are locking and unarming techniques with the staff itself.
 
Muchhan
 
        A Muchhan (Three Spanner rod) or Cheruvadi, is a strong wooden staff, usually 22 inches in length and about 2 inches in diameter. The Amaram or holding end, will be thicker than Muna or the using end. The Cheruvadi training requires more precision and speed than the 12 spanner. The use of Cheruvadi consists of attack, counter-attack, defense, use of locks, and unarming techniques. Various Vativus and Chuvatus are combined in this graded attack and defense combinations. An expert can execute not less than 150 blows per minute with this seemingly simple weapon. Close range fight with the Muchhan is a basic training for the use of close range metal weapons like knife and dagger.
 
Otta (Curved Staff)
 
         There is a folk saying in North Malabar that Otta 'payattiyal Urakkattum payattum' (one who is proficient in Otta can even fight while sleeping). This shows the importance attached to this curved wooden staff, which is considered as the perfect weapon in Kalarippayatt.
          An Otta is a short staff of about 18 to 20 inches in length, shaped like a sickle, curved at the middle and terminating in a squared butt end. The holding end will have 4" diameter and the using end, 1" diameter. Usually, the end will have a butt like projection. It was believed that this weapon is inherited from the Lord Ganapati. The special feature of Otta is that it comprises of thrusts directed at the vital points of the human body called Marmas. The main features of Ottapayatt are combat at close quarters and locks. The nimbleness of the wrist, readiness of the legs for instant advance and retreat and quick mental reflexes are essential for this fight.
          The Otta is also practiced in accordance with Vaytari. It is the perfect combination of all the strong and forceful aspects of Meippayatt and Koltari. This also includes the techniques of 'Verumkai Prayogam' or unarmed fighting system. There are 18 atavus in Otta fight but at present only 12 are known to exist in Kalaries. This is popular only in the northern style of Kalarippayatt.
 

Gadha

 
          The club or gadha is another wooden weapon used for training in the Kalaries. The use of this weapon requires strength, agility and perfect body control. It is heavy, and the strenuous weilding of which has to follow strict rules and regulations.
The holding end of a gadha is only 3" in diameter but the diameter of the using end varies from 12" to 8". This is usually carved out of Tamarind core, with length of 3 to 4 feet.
 

Ankathari

 
          The third main stage in Kalari course, is the Ankatari or practice of deadly weapons like dagger, spear, sword and shield. In Northern style, the last phase of Ankatari is the training in Urumi.
The preliminary exercises with sword and shield, comes under Valvali, which form the basis of swordsmanship. In this, the sword is made to wind around the body in successive strokes along with speedy body movements.
          The duel practiced with sword and shield is called Val ankam or Puli ankam. Various types of strokes and thrusts are there in this style, followed by methods for receiving and parrying them with the shield. There are 18 atavus or sequences in sword fight, which are practiced as per Vaytari. Apart from sword versus sword there is another system of sword versus spear known as Mara Pitichu Kuntam. In this combat, one will be armed with sword and shield and the other, with spear only.
 

Kadarri

 
          Kadari is double-edged dagger of 12" length and 2½" width. It is curved in the middle and narrowing towards the end to form a sharp point. This is particularly used in close range combat. The hilt of this weapon forms a long protective cover to the forearm and this part can also be used for blocking and parrying the cuts and hits.
 

Kuntham

 
         Kuntham or spear is another popular weapon used in the Kalaries. It is made of strong cane, 1" in diameter and 5" to 5½" in length and one end is fixed with an iron blade in the shape of a leaf or bud. There are traditional instructions for the choice and treatment of cane to make it strong and smooth, for making Kunthams.
The Kuntham is held and used in almost the same way as the Kettukari. The tactics of blows, hits and stretching are used in attacks and speedy wielding of the spear, for keeping the enemy at bay. There is a technique of throwing the spear with flawless accuracy and also blocking the same, with a quick twisting manipulation, which will return it to the thrower and hit him back, with force.
 
Urumi
 
         Urumi is the most popular weapon described in the Ballads of north Malabar. It is somewhat an exclusive weapon, popular in the northern parts. It 32 has a long blade with spring like action, 4½" to 5½" in length and ¾" to 1" in width. It has a small handle with cover. As an urumi can be wrapped round the waist, it is the best weapon to be carried with ease. A woman can keep an urumi around her waist and use it, if required. Unniarcha, one of the heroines of the ballads of north Malabar, is said to be an expert in the use of this weapon.
While practicing urumi, shield is used for self-defense. It is a dangerous weapon as it will coil round the user, if he fails to keep its correct speed, wrist-work and pose.
 

Verum kai Prayogam

 
          The Verum Kai Prayogam or unarmed fighting technique, is the fourth stage of Kalari training. This is a unique method of offence and defense. In this technique, various holds, grips and locks are combined with knuckle and elbow hits directed at Marmas or vital points of the opponent's body. By this method, one can disable an enemy completely. Usually, knowledge of this kind is not passed on indiscriminately to any one but only to those with a disciplined life who guarantees that the knowledge will not be misused. There are a number of scholars who believe that the unarmed fighting techniques of Kalarippayatt is the base for the world famous Karate.
           The system of Kalarippayatt had undergone changes and had taken up a number of regional variations. These variations gave birth to different styles and schools. There were Arappa Kai, Vatteen Tiruppu and Pilla Tangi in the Northern style, Kalam Chavittu, Otimurisseri and Dronanpullil Sampradayam in the Central Kerala, and Adi-Tada in Southern Kerala. The popular system which spread to all parts of Kerala, today, is the Arappa Kai. It is a well-graded combination of Meippayatt, training in wooden-weapons, metallic weapons and Verum Kai Prayogam.
 
 
 
   
 
 
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